SOUND FILES
Harp, Fiddle, Uilleann Pipes and Whistle:
Eibhlí Gheal
Ní Chearbhall
(Bright and Lively Evly O'Carroll, 2.4Mb)
Planxty Irwine
A 17th century Irish harp piece played here with low whistle, fiddle and harp.
HARP SOLOS
Recorded at the the 2005 harp competitions which she won in the 12-15 age group.
The
Longford Tinker
(1.6Mb) is a very lively Irish reel closely echoiing the familiar Scottish
reel "Jenny Dang the Weaver".
The Mooncoin s (2.5Mb) a jig named after a village in Co. Kilkenny. Mooncoin is from the Irish "Con's bog".
UILLEANN PIPES
Excerpts of Terence on uilleann pipes, from a recording with Blackthorn:
She Moves Through the Fair (1Mb mp3)
Dirty Old Town (2.6 Mb mp3)
HIGHLAND PIPES
The
Jolly Beggarman.
A lively tune on the pipes and a great choice for a recessional.
(1.4Mb jolly_beggarman.mp3)
• View QuickTime movie from Fox 2 News, Sept 2003 (820k)
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We perform on a variety of traditional instruments, Irish uilleann pipes, fiddle, Celtic harp, bouzouki and whistles.
CELTIC HARP / CLÁRSEACH
The Celtc harp is the national symbol of Ireland
and has been played all over the world from early times in one form or other.
Síobhan
plays a 28 string celtic harp that stands about 3.5' tall. It differes from
the classical harp in many ways, but most obviously the size. In the 17th
century the harp was played by roving bards who would stay with wealthy sponsors,
so the harps were small enough to be carried around the countryside. Many
of the most famous of the Irish harpers were blind. Given the extreme poverty
in Ireland under English rule, blindness was not uncommon and with few employment
opportunities many became pipers or harpers. The tunes were largely passed
on through the oral tradition.
FIDDLE / VEIDHLÍN
The fiddle is supposed to have been introduced into Ireland sometime in the
11th century although there are other references to the arrival of the
fiddle. The fiddle or fidula as it was known may have differed in size
and description from the fiddles we know today.
The "fiddle" is essentially a violin that is held and played differently than a classical violin. The instrument has had a long tradition in both Ireland and Scotland. In the 1700's there was a large influx of immigrants to the New World encouraged by the English to just go anywhere else. The settlers fiddle music became the music you hear today especially in the Appilacian region with old time and bluegrass and in Cape Breton, Nova Scotia where the original Scots fiddle tradition survives.
UILLEANN PIPES / PÍOB UILLEANN
From
the Irish "elbow", the uilleann pipes are a bagpipe unique
to Ireland, evolved from the older form of bagpipes in the early 18th century.
The uilleann pipes provide a larger range of notes, softer tone and are pitched
in concert "D". Differing from the big pipes in that they are
powered by bellows. played seated and have an additional set of pipes to
provide chords. Terence's pipes are of the Taylor style and vintage (early
1800's).
GREAT HIGHLAND PIPES / PÍOB MHÓR
This is the familiar bagpipe seen at parades and funerals. A long martial
history surrounds this instrument in Scotland and Ireland. The bagpipes
or "piob mhor", meaning "big pipes" are played in Scotland
and Ireland and it's the same instrument, just different melodies that
make it Irish or Scottish.
IRISH BOUZOUKI
The
bouzouki is a stringed instrument first introduced from Greece into Ireland
in the Sixties, a time when Irish traditional music was undergoing great experimentation
by popular Irish folk bands like Planxty. The instrument has taken
centerstage among the tradition and never looked back. Variously called the
bouzouki, mandola or octive mandolin, it provides a deeper sound than a mandolin
and melds well with the harp, pipes and other traditional instruments.
Mairéad plays an instrument made by Rick Westerman.
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